Take Five - Dave Brubeck Feat Carmen McRae (SongDecor)

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Original Artist: Dave Brubeck Feat Carmen McRae
https://youtu.be/yQ9lv2Oe_ZM

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“Take Five" is a jazz standard composed by saxophonist Paul Desmond and originally recorded by the Dave Brubeck Quartet for their album Time Out at Columbia Records' 30th Street Studios in New York City on July 1, 1959.Two years later it became a surprise hit and the biggest-selling jazz single ever. Revived since in numerous movie and television soundtracks, the piece still receives significant radio airplay. The single was inducted into the Grammy Hall of Fame in 1996.

Dave Brubeck was inspired to create an album based on odd time signatures during his state-sponsored 1958 Eurasia trip. The track was written after the Quartet's drummer, Joe Morello, requested a song in quintuple (5
4) meter. Desmond composed the melodies on Morello's rhythms while Brubeck arranged the song. The track's name is derived from its meter. The track is written in E♭ minor and is in ternary (ABA) form.

Released as a promotional single in September 1959, the track would not achieve commercial success until it became a sleeper hit in 1961. "Take Five" went on to become the biggest-selling jazz single of all time and still receives significant radio airplay.

Although released as a promotional single on September 21, 1959, "Take Five" became a sleeper hit in 1961. In May 1961, the track was reissued for radio play and jukebox use, partly in response to its heavy rotation on the radio station WNEW in New York City. That year, it reached No. 25 on the Billboard Hot 100 (October 9), No. 5 on Billboard's Easy Listening chart (October 23) and No. 6 on the UK Record Retailer chart (November 16). In 1962, it peaked at No. 8 both in the New Zealand Lever Hit Parade (January 11) and the Dutch Single Top 100 (February 17). The single is a different recording from the LP version and omits most of the drum solo. It became the first jazz single to surpass a million in sales, reaching two million by the time Brubeck disbanded his 'classic' quartet in December 1967

Columbia Records quickly enlisted "Take Five" in their doomed launch of the 33+1⁄3-rpm stereo single in the marketplace. Together with a unique stereo edit of "Blue Rondo à la Turk", they pressed the full album version in small numbers for a promotional six-pack of singles sent to DJs in late 1959.

News of Brubeck's death on December 5, 2012 rekindled the popularity of "Take Five" across Europe, the single debuting in the Austrian Top 40 at No. 73 (December 14) and the French Singles Chart at No. 48 (December 15) while re-entering the Dutch charts at No. 50 (December 15).


Carmen Mercedes McRae (April 8, 1920 – November 10, 1994) was an American jazz singer. She is considered one of the most influential jazz vocalists of the 20th century and is remembered for her behind-the-beat phrasing and ironic interpretation of lyrics.

McRae was born in Harlem, New York City, United States. Her father, Osmond, and mother, Evadne (Gayle) McRae, were immigrants from Jamaica. She began studying piano when she was eight, and the music of jazz greats such as Louis Armstrong and Duke Ellington filled her home. When she was 17 years old, she met singer Billie Holiday. As a teenager McRae came to the attention of Teddy Wilson and his wife, the composer Irene Kitchings. One of McRae's early songs, "Dream of Life", was, through their influence, recorded in 1939 by Wilson's long-time collaborator Billie Holiday. McRae considered Holiday to be her primary influence.

In 1948, she moved to Chicago with comedian and impressionist George Kirby, with whom she had fallen in love. At the end of the relationship, she worked as a pianist and singer at the Archway Lounge. She played piano steadily for almost four years at a number of clubs in Chicago before returning to New York in 1952. In Chicago she developed her own specific style. Those years in Chicago, McRae told Jazz Forum, "gave me whatever it is that I have now. That's the most prominent schooling I ever had."

Back in New York in the early 1950s, McRae got the record contract that launched her career. She was voted best new female vocalist of 1954 by DownBeat magazine. MacRae married twice: to drummer Kenny Clarke from 1944 to 1956, though they separated in 1948; and to bassist Ike Isaacs from 1956 to 1967. Both marriages ended in divorce.